Rodgers and Hammerstein have written fantastic musicals, I know a big understatement on my part. Many incorporated dramatic history into the story, perhaps none more so than this one. First debuting on Broadway in 1951 and based on Margaret Landon’s 1944 novel Anna and the King of Siam which was a mix of fiction and true story, it would become a film in 1956. The film version of The King and I would become one of the most successful musicals of all time. I saw a recent Broadway production of the story and it along with the film, definitely leaves you with tears in your eyes and your heart feeling a little heavier. Spoilers as always.
Anna Leonowens (Deborah Kerr with Marni Nixon doing the singing) a widow school teacher travels with her son Louis (Rex Thompson) to Bangkok, Siam (now Thailand) to become the teacher of the children of the King of Siam, King Mongkut (Yul Brynner who won an Oscar for his part). The two meet the prime minister and the King’s closest friend Kralahome (Martin Benson) who has been told to escort them to the palace where they are going to live; Anna is upset because her contract stated she and her son would get their own home. King Mongkut says he doesn’t remember promising Anna a home and introduces Anna to his wives (no, that is not a misprint) and 15 of his 67 children (once again no mistake there) that Anna will teach, including his eldest son Prince Chulalongkorn (Patrick Adiarte). Despite being upset that the King violated her contract Anna agrees to teach the children, although she does drop hints during her lessons to annoy the King. Anna becomes close with the children as well as the wives, including the head wife Lady Thiang (Terry Saunders) and the latest wife Tuptim (Rita Moreno with Leona Gordon singing); Tuptim however is not happy with her forced marriage as she is in love with one of the men who brought her Lun Tha (Carlos Rivas with Rueben Fuentes singing) and he with her forcing the pair to sneak around at night. The children soon come to care for Anna and Louis, although they do get into arguments when Anna introduces things they have never seen before like snow. The King and Anna also clash, not just over the contract but their cultures as the two have different outlooks over pretty much everything. Anna almost leaves because of it, but Lady Thiang explains that the King is upset because British papers are calling him a barbarian and threatened to take Siam away from him. Knowing the King is many things, but not what the British clam, Anna agrees to help the King prove that they can be European and the two’s walls slowly start to come down. Unfortunately the King’s stubborn ways may cost him greatly. About as far as I should go without giving away the rest of the movie.
If any film has a big clash of cultures it is this one. The King and Anna’s relationship develops as king/servant in his mind to mutual respect; many say love but I’m not completely certain. Deborah Kerr is just stunning to watch as Anna, the strong willed teacher who has to show not just the children and wives but the King that their world is not as big as they think and they have to change. Yul Brynner, who portrayed the King on multiple Broadway productions before and after the film is memorizing as King Mongkut, a man who is stuck in the past and doesn’t understand why the world isn’t like his country; absolutely deserved his Oscar. The rest of the cast is impeccable; Moreno, Saunders, Rivas and Benson sticking out the most in my opinion as do the children, although I admit by today’s standards some roles are considered to be whitewashing so beware. The film doesn’t use every word or every song from the Broadway show which may have done some harm from the critics but otherwise the film was well received. The soundtrack has some of the show’s most famous songs such as “Getting to Know You”, “Shall We Dance”, “It’s a Puzzlement” and “I Whistle a Happy Tune” among others.
The film won five Oscars: Best Actor for Brynner, music, art direction, costume design and sound recording while it was nominated for four others: Best director, cinematography, actress for Kerr and Best Picture. The film has also been listed on three American Film Institute 100 lists: #11 on Best Musicals, #54 on Best Songs “Shall We Dance” and 100 Passions Films #31 for Anna and the King. While the film might take place during the Civil War some of its issues still hit strong points today and I would definitely say this is a must watch for not just musical fans but of movie fans in general.
Films or Television Worth Watching 